15 Things You Might Not Know About 'Moulin Rouge!' | Mental Floss
15 Things You Might Not Know About Moulin Rouge! BY Roger Cormier. May 13, former gas station and movie theater owner—told his son to focus on the film. had a forged a strong relationship on the set of 's Romeo + Juliet, and the . Though David Baerwald's "Come What May" was the only original song. Moulin Rouge is a Australian-American jukebox musical romantic comedy film directed, Satine tells Christian that their relationship endangers the show, but he complete their song ("Come What May (Reprise)", "Coup d'État (Finale)" ). The storyline of Moulin Rouge can be traced back to Alexandre Dumas, fils'. Dearest readers, I detest Moulin Rouge. I can already hear the And this is where my main issue with the movie comes from. Satine doesn't want him So already, the relationship is doomed in my eyes. Christian isn't in.
This rant is not going to be spoiler-free, but you should read it anyway, and save yourself watching this God awful excuse for a romance. The main character is Christian, a writer looking for love to inspire his artistry.
He moves to Paris, gets involved with an acting troupe, and meets Satine, the boudoir performer from the Moulin Rouge. But she confuses the Duke for Christian, and they fall in love.
Add in the radio-lifted love songs, and you have the basis for a good musical. But the surface is as shallow as the rest of the movie. He loves love, worships love; all you need is love!
Despite this, he has never been in love himself, until he meets Satine. And this is where my main issue with the movie comes from.
Come What May (2001 song)
This prompts The Elephant Love Medley, a song which many consider to be the best song in the movie. And annoyingly, he does. So already, the relationship is doomed in my eyes.1/2 Come what may finale _Moulin Rouge
Like so many bohemian artists, Christian is love with an abstract idea. He loves love, and it becomes his obsession, projected on to a woman who never stood a real chance against him.
She is his Manic Pixie Dream Girl, made artisan by her time period. Ultimately, no one truly loves Satine. The Duke wants to own her, and his obsession drives him to try to force himself on her. Satine would rather surrender her own happiness than leave this world hurting the people around her.
She is a glutton for punishment, and has the biggest heart of all the characters. Christian does not handle rejection well. This is the part of the movie which sickens me. Satine does it when she gives herself over to the Duke so that Christian will live.
When Satine breaks his heart, he wait until she is on stage. In front of all the patrons, in a packed theatre, he announces her past. And Satine suffers for it.
She sacrificed everything so that Christian would live, and she is left a broken mess on stage. People might think he was a bad guy or something. Could we ever get past that cerebral cool and perceived cool. Could you make those switches? Fine in Shakespeare - low comedy and then you die in five minutes. In Moulin Rouge, we went further.
Our recognisable story, though Orphean in shape, is derived from CamilleLa Boheme - whether you know those texts or not, you recognise those patterns and character types.
The legend of Orpheus says he was a musical geniusfar surpassing anyone in his world; the filmmakers chose to replicate this by using songs from the mid-to-late 20th century, many decades after the film's setting. In this way, Christian would appear to the other characters to be ahead-of-his-time as a musician and writer.
Come What May ( song) - Wikipedia
Courtney Love auditioned for the role of Satine and assisted in clearing licensing rights for " Smells Like Teen Spirit " to be used in the film. This necessitated some pick-up shots being filmed in Madrid. In the liner notes to the film's Special Edition DVD, Luhrmann writes that "[the] whole stylistic premise has been to decode what the Moulin Rouge was to the audiences of and express that same thrill and excitement in a way to which contemporary movie-goers can relate.
The movie also features editing that several critics compared to a music video, involving swirling camera motion, loud music, dancing, and frenetic cutting. The film uses so much popular music that it took Luhrmann almost two years to secure all the rights to the songs.
Release and reception[ edit ] Originally set for release on Christmas as a high-profile Oscar contender, 20th Century Fox eventually moved the release to the following spring so director Luhrmann would have more time during post-production. The film premiered at the Cannes Film Festival  on 9 May — making it the festival's opening title. But it's also daring in its vision and wildly original.