Ending for Castlevania: Portrait of Ruin-Jonathan Mode Good End(Nintendo DS)
Portrait of Ruin is the first Castlevania to feature a cooperative multiplayer gameplay mode . Jonathan is the current wielder of the legendary whip, " Vampire Killer", which was . As the four of them leave, they end up forgetting about Vincent, who is .. Charlotte: Then what's your relationship with the two girls in the photo?. A description of tropes appearing in Castlevania: Portrait of Ruin. Adam Smith Hates Your Guts: Vincent is incredibly ungrateful for Charlotte rescuing him from vampirism. About the only thing that changes is his dialogue in the ending, he doesn't Beethoven Was an Alien Spy: The vampire Brauner is the one and only . Castlevania: Portrait of Ruin is a bit tricky when it comes to endings. Halfway through the game, our merchant friend Vincent gets bitten by a Vampire.
Castlevania: Portrait of Ruin/Script | Castlevania Wiki | FANDOM powered by Wikia
Extra characters and level limits extend the replay value, including one mode controlled entirely with the touchscreen. Portrait of Ruin provides examples of: Adam Smith Hates Your Guts: Vincent is incredibly ungrateful for Charlotte rescuing him from vampirism. About the only thing that changes is his dialogue in the ending, he doesn't have the courtesy to reduce his prices for items.
Ain't Too Proud to Beg: Brauner if you defeat the Sisters rather than purify them and trigger the bad ending. He gets on his knees and outright begs you not to hurt his "daughters" more. The circus levels are both ring-shaped, and while gravity for the playable characters and items is always down, everything else is oriented based on its position in the level. In fact, from her perspective, Medusa is bending over backward for her boss fight, and when she dies, she collapses to the ceiling.
- Castlevania: Portrait of Ruin/Script
- Vincent Dorin/Dialogue
If you fight Medusa in the Boss Rush mode, she collapses to the floor instead. American Kirby Is Hardcore: This is probably the result of him being 27 years older in Portrait of Ruin.
The basic exploratory nature of the Metroidvania titles remains the same, except that now you can enter paintings with their own mini-world levels in them. Some of the paintings depict settings that just don't normally occur in Castlevania, such as a massive underground pyramid full of Egyptian mummies, a twisted war-torn carnival of the damned, or an early 20th Century European city.
Another Side, Another Story: After the main game, the Sisters' story ends the only way it could end. When you fight him, he paints on an easel with blood, making a pattern on the screen that damages you when you touch it. He also uses Art Initiates Life to summon monsters by painting them. True, we don't see our heroes or the main antagonists naked, but monsters like the Harpy, are completely nude with nipples! Death can change his cloak color from the standard black in which he's weak against spells and resistant to physical attacks to white in which he resists spells but is weak against physical attacks and back again throughout the battle.
The Skull Bartender enemy does this as its attack. Beethoven Was an Alien Spy: Charlotte learns how to turn herself and Jonathan into toads. This is required to progress and is also the first step to reaching the true ending. Upon entering the castle, Jonathan and Charlotte encounter an enigmatic blue figure that they first identify as hostile.
After the figure transforms into a humanoid male, he explains that he was killed a short time ago and had cast a magical barrier to keep himself conscious while still within the confines of the castle. Shortly after meeting Wind, Jonathan and Charlotte find one of Brauner's magical portraits. Unable to destroy it from outside, the two travel into the world within.
Shortly after its defeat, one of the vampire sisters appears and disdains their efforts, saying their control is lessened in only a minor degree. Later, when entering the second portrait, they find Brauner and the two twins; Brauner laughs at the notion of reviving Dracula, as he has failed too many times to control humanity, but concedes his power is too great to ignore. Both sisters desire to kill the two humans, but Brauner sees Dracula's servant Death as a greater threat, as he could wrest control from him far more easily than them.
While exploring the castle, Charlotte and Jonathan encounter Death, who acts as if Dracula were already revived. When informed Dracula is still dead, and that another vampire is controlling the castle, he scoffs at the idea of a hand other than Dracula's to rule Castlevania. Yet, he is gravely disturbed when he sees the statements are true, and promptly leaves to seek a way to destroy Brauner and revive Dracula.
Opening the locket, Charlotte finds a photo of the twins with Wind, and both decide to question him. Wind confesses his true name, Eric Lecarde, and that the twins are his children. Nevertheless, he engages them but is defeated and flees. When Jonathan and Charlotte reach the towering spire of the Master's Keep, they find the Dracula's throne room sealed off, and conclude that Brauner is delaying Dracula's revival to siphon his power.
During the battle with the twins, the sisters are cured of their vampirism by Charlotte's spell. This allows them to regain their sanity, and they subsequently offer to perform a ritual that allows Jonathan to utilize the Vampire Killer whip 's full power. After the twins are defeated, they open a passage leading to a massive storeroom that contains a portrait leading to Brauner's studio. When confronted about his acts, he admits justice wasn't on his side, but refuses to acknowledge it was on the heroes'.
Death suddenly hovers from above, and kills Brauner with one swing of his scythe. This act destroys the painting sealing the Throne Room, and Jonathan and Charlotte then go to battle with Dracula.
Before they can engage Dracula, Death enters the room and sides with his master, and together they attack the heroes. When destroyed, everyone flees the castle, and sees from the distance as the walls collapse.
Later, the twins, Jonathan and Charlotte are visited in the fields outside the castle by Eric's ghost, who gives some advice to the twins and thanks Charlotte and Jonathan for destroying the curse before his spirit finally fades from existence. As the four of them leave, they end up forgetting about Vincent, who is comically trying to get their attention as he chases after them. In an interview with producer Koji Igarashi in Juneit was revealed the game would try to utilize the touch screen better than Dawn of Sorrow.
He also mentioned he was thinking of incorporating cooperative game play in an unlockable stage via WiFi. Dracula's Cursehis favorite Castlevania game. Koji Igarashi stated that the schedule became tight due to Nintendo Wi-Fi difficulties, considering it was their first online enabled game.
Music in the Castlevania series Portrait of Ruin featured English voice-overs for portions of the game. The original Japanese dialog was also included as an easter egg. Michiru Yamane returned to compose the music, with additional songs by Yuzo Koshiro. Successfully complete Course 2 in under three minutes. Successfully complete Course 3 in under three minutes.
Successfully complete Course 3 in under five minutes.
Easy SP Before attempting this trick, you must be able to access the 13th Street portrait, have the Undead Killer, and quite a few tonics. Go to 13th Street and use the warp to the second warp room. Walk out the room, and jump up on the platforms and into the next room. There will be three Red Axe Armors walking back and forth.Castlevania - Portrait of Ruin: Part 17 - The Bad End of a Whip
Use your sub-weapon Knife, Javelin, Bible etc. Hidden Vincent dialogue Play as Charlotte and stand in front of Vincent the shopkeeper. Hold Up until he begins speaking.
Alternate credits Successfully complete the game on Hard difficulty setting to unlock an alternate portrait of Vincent during the ending credits. Alternate dialogue At the main menu, hold L and press A.