Heath Ledger had improvised the hospital explosion scene in The Dark Knight? - avesisland.info
Discover the surpriising filming locations for The Dark Knight Rises (), in the US, It's back to the UK to find 'Gotham General Hospital', where a ski-masked . the real bomb plunges to a lower level roadway, we're back in Los Angeles. THE DARK KNIGHT is not only my vote for best movie in the series, but is also Finally, we meet Lt. Jim Gordon on the roof of the Gotham Major to the audience that her mother is in the hospital, foreshadowing her . of the building with a planted bomb, and escape the local authorities via his skyhook. We're on reddit to have a laugh, not to ruin someone's day. If you're caught going Hospital bomb scene in Batman was a total screw up!.
The Dark Knight (film) - Wikipedia
However, the Joker, as we have seen, has just taken out Gambol and gained his muscle, and once unleashed, will only continue to grow in power. Once in custody, Lau makes a deal with Rachel and Dent. Just as Maroni and the Chechen are meeting at a restaurant, discussing hiring the Joker, Gordon walks in and surprisingly arrests the entire mob, all on racketeering and conspiracy charges. Gordon is joined by his assistant, Det. Stephens, and Commissioner Loeb in bringing the large group of inmates to court, before Judge Surrillo.
Going through the court papers she comes across a Joker playing card, and shrugs, putting it aside [Two other things are revealed upon a closer examination of the papers: Dent meets with the Mayor who reprimands him for such an insane arrest; however, Dent points out that while the bosses will make bail [indeed, it seems that the Chechen and Maroni have already gotten out by the time this scene is occurring], the majority will be forced to cut deals to avoid prison, and in any case, the streets will be cleaner for at least a little while.
The meeting is interrupted by the arrival of a corpse hanging from the rooftop. The imitator had been captured and apparently tortured by the Joker who sadistically laughs at him.
The Joker announces to his shaky handheld camera that until the real Batman reveals himself, people will be murdered daily. Bruce is unsure how to deal with this turn of events: At the party that evening, Dent and Rachel arrive to a penthouse filled with the wealthy elite, and finally Bruce arrives with several supermodels as his dates. Afterward, Bruce spends a quiet moment with Rachel, confiding in her his hope that soon Gotham will no longer need Batman and he may retire to be with her, but she correctly feels that this is all a pipe-dream and she cannot be asked to wait.
To Bruce, Rachel is not so much a love interest as an icon of the life he hopes to have. This is interrupted as the film begins jumping between parallel plotlines. Three traces of fingerprints have been found on the Joker card on the corpse: Gordon quickly tries to prevent the assassinations, but fails.
Surrillo is killed in a car bomb while on her way to a safe house and Loeb is killed when taking a sip of whiskey that turns out to be acid, confirming that there must indeed be a mole at MCU. As the Joker crashes the party and begins his mayhem, Bruce quickly knocks out Dent and hides him: He also passes by a couple making out and enters a secret compartment, appearing to them to be a coward.
Back outside, the Joker terrifies everyone, eventually beginning to harass Rachel, and tells her a story of his origin, considerably different than the one he told Gambol. It is heavily implied that the Joker has no real origin story, but just simply exists as a symbol; perhaps inventing origin stories at will to satisfy his own sadism.
Eventually Batman arrives and confronts him and fights off the thugs. The Joker retaliates by dropping Rachel out the window and Batman jumps out after her. Falling hard, he is able to catch her and the two slam hard into a taxi, very much alive. But secondly, and more notably, is the fact that the scene just ends, leaving the Joker and his thugs in the penthouse with the guests.
It does seem odd that they would just leave without causing any more mayhem, but the original screenplay does not reveal anything more to the scene, other than an extra short scene of the Joker riding off in his car and telling his thugs that he will get Dent later.
So, as clumsy as it may seem, the answer is: The next day, Gordon and Stephens debate how the prosecution can continue when Dent surprises them by walking in as determined as ever [What happened to Dent after Bruce knocked him out and hid him in the apartment?
The Dark Knight: 15 Behind The Scenes Secrets About Heath Ledger's Joker
Did he come to in his own apartment later that night? Meanwhile, at the Bat-Bunker, Bruce shares his worries about the bizarre criminal with Alfred. The Joker is a terrorist, unlike any criminal force Batman has yet dealt with. Most cops work for paychecks and must follow rules and procedures. Thus most criminals can simply bribe them or avoid them or find ways around them. Because Batman follows no rules and only has the incentive of justice itself, he has been able to do things cops cannot do such as capture Lau and destroy the entire mob system of Gotham.
But now the Joker has come along and done the exact same thing in reverse. Criminals are also expected to follow certain rules: The Joker IS evil and an agent of chaos, making him a super-villain, and the anti-Batman. Alfred compares the situation to a jewel-thief he encountered in Burma who stole for sport rather than profit, and thus he could not be caught or bullied.
Batman arrives, along with Gordon and Ramirez, to see two corpses of anonymous men, whose surnames are Harvey and Dent. Ramirez shows her frustration with Batman and with Gordon for insisting on speaking with him alone. Batman retrieves a shattered bullet from the wall of the crime scene while Gordon soon discovers that the Joker has left a clue for his next victim in the form of a newspaper clipping: Bruce has gone through an exaggeratedly-complex and meticulous effort to trace the bullet: He then traces the fingerprint to a man named Melvin White who lives over the parade route that the mayor will be taking that day.
He rides off the address. The parade is a funeral service for Commissioner Loeb [apparently Judge Surrillo is not important enough to get any kind of public memorial service] and is being heavily monitored by security on all sides in case of the Joker or any snipers.
It is also noteworthy that we never discover who Melvin White really is. In the mayhem that follows, the crowd runs in wild panic and chaos, the Joker escapes, one of his goons goes down, the Mayor is protected, and Gordon is apparently killed. This is a fatal blow to all our characters and each one is pushed over the edge: She breaks down in sobs and blames the death on Batman, who listens solemnly.
Later Stephens stands by the Bat-Signal, but it is clear Batman will not answer. He fights his way through bodyguards, far more violent and aggressively than normal, and captures Maroni. He attempts to torture Maroni by dropping him off a building, low enough so that the fall will not kill him but will fracture his legs. However, Maroni honestly knows nothing about the Joker or how to call him off, and even seems somewhat remorseful of having turned to him.
The only option truly is for Batman to turn himself in.
And while we later find out that the coin is two-headed and so he is not seriously planning to murder the goon, this scene still shows that the idea of abandoning justice and leaving life and death up to chance has occurred to him.
The goon is terrified but is unable to reveal anything. Eventually Batman arrives and reveals that the goon is a schizophrenic from Arkham who knows nothing. While both Batman and Dent are both shown torturing captives to get information, both instances are shown as failures and the torture ends up revealing nothing.
He will, as Rachel said earlier, end up becoming like Caesar; the heinous acts that the Joker is pushing him to do, even if they are for the greater good, are turning Batman into a villain. Furthermore, the Joker is doing the same thing to Dent, his doppelganger. He again stresses the importance of Dent having a clean and honorable legacy so that he may be the White Knight. With no other alternative, Batman asks Dent to call a press conference where he will turn himself in.
That night, he chats with Rachel, who has been urged by Dent to stay at his penthouse as the only safe haven in Gotham. Bruce reflects that turning himself in is in a sense a way of reaching his ultimate goal of retiring and letting Dent be his legitimate successor; yet ironically, being in jail will keep him from being with Rachel, the person he wanted to retire for. Rachel gives him a hesitant kiss, but is unsure if she wants the responsibility of being his hope for a normal life.
The next morning, Bruce chats with Alfred, who advises against this. Together they burn all the paperwork and evidence of the Batman campaign, trying to eliminate anything that would lead back to Fox or Rachel, then leave the bunker, preparing to face the music. Also, I am curious if Bruce would really have let Alfred go to jail with him. Most likely he would have used as much of his power as he could to make sure Alfred got off lightly.
However, as the crowd still demands Batman, Dent agrees to have him arrested…and turns himself in. Perhaps it dawns on them that Batman was someone who really cared about their well-being, and they have just tossed him away.
Bruce simply stands in shock and does nothing. Back at the penthouse, Rachel confronts Alfred about this turn of events. Though Alfred is himself surprised, he again states that he feels Batman should not be sacrificed for the whims of a terrorist.
Perhaps we can conclude that once Dent turned himself in, Bruce quickly realized that to step forward would have just confused the situation. Rachel meets Dent at his holding cell where he admits he has planned this to set himself up as bait for the Joker. Rachel catches it and finally learns that it has always been a two-headed coin. She watches as Dent is led into an armored truck and taken off to central holding. It reveals that, despite being constantly told he is leaving major decisions to chance, he actually leaves nothing to chance.
Everything in his life is planned out so that the outcome will always be in his favor. This is why he is such a diligent lawyer and has been so successful: As with the parade, the police go to every possible measure they can to prevent an attack, but the Joker will trick them all by thinking outside the box.
A burning fire truck forces the procession of cop cars to take a detour down an exit ramp where they are easy targets. A trash compactor arrives and begins knocking the squad cars off the road. Just as the SWAT team begins to prepare for backup, they too are knocked off into the river by a mysterious truck. An S on the side of the mysterious truck turns the word Laughter into Slaughter. The Joker reveals himself inside the truck and begins shooting at the armored truck, first with a regular handgun, and then with an RPG.
Eventually the real Batman arrives in the Tumbler, jetting down the parkway and successfully putting the trash compactor out of commission. Now out in the open air, the Joker has his goons knock out a police chopper, which lands right in the middle of the street, but the armored car manages to survive. Meanwhile Batman cruises on his Bat-Pod through the streets, destroying cars and property, and even taking a detour through an indoor mall in a scene reminiscent of The Blues Brothers [Normally I hate it when action movies have heroes that randomly destroy public property without concern for others simply for the sake of an action scene, as is common in Michael Bay films.
However, here it can be explained as being part of the recklessness Batman has to deal with, and thus continuing the theme that the Joker is bringing out the worst in him].
Eventually, he is able to shoot his cables at the mysterious truck, causing it to flip over. The Joker emerges from the wreckage and stands tall, playing a game of chicken with Batman on his Bat-Pod. Sure enough, Batman swerves at the last minute, crashing and being knocked unconscious. His refusal to kill his enemies has literally brought him down.
Gordon reveals he staged his death in order to protect his family, though it is left unclear how many people were aware of his deception [Of course no serious Batman fan could possibly have thought Gordon was really dead. Meanwhile, the Joker and his cronies from the truck are captured and taken in. Although he did intend to kill Batman, the fact that he chose to do it in the way he did, when the situation would be so heavily monitored by cops, suggest that the Joker had planned all along on getting caught.
Dent is released from the armored car and, as it is now pretty obvious to every witness present that he is not the real Batman, he is released. He is applauded, as popular as ever, and led to a car. But things are just too good to be true. As Dent gets in the car, one can see that Wuertz is the driver and that Ramirez gives him a signal.
At MCU, Gordon and his men use every possible safety precaution in dealing with their precious arrest, and as usual, this only foreshadows how much the Joker will inevitably outsmart them all. With no fingerprints on record or any form of identification, the Joker appears to have no secret identity; he is not a civilian, he is simply the Joker. The Mayor congratulates Gordon on his capture, promotes him to commissioner, and sends him home, where he is affectionately slapped by his wife.
However, Gordon is given only a few minutes to reveal to kids he is alive before being called back in.
Seeing this is getting him nowhere, Gordon leaves the room and Batman, whose magical powers at entering rooms have become quite proficient, takes over and beats the Joker savagely. Batman displays a level of aggressive violence never seen before in the character, surpassing even his torture of Maroni. It is again a sign that, like Caesar, being a vigilante without rules will lead to him being a villain himself.
He predicts that the system of cops vs. Similar to Satan in the Book of Job, he bets with Batman that he can show him the average man is basically savage and evil, like him. Throughout this scene, his makeup has begun to fade and he is seen for the first time without gloves, giving him a certain vulnerability.
The Joker inflicts one of his trademark moral dilemmas on him: The film frantically cuts back and forth between about four different scenes.
Dent is revealed to be tied up in a basement apartment filled with diesel fuel while Rachel is tied in a similar warehouse. Both are connected via speaker-phone and try to talk each other through this, but not before Dent accidentally trips the chair backwards and gets the left half of his face covered in gasoline.
The Joker successfully manipulates Stephens into giving him a beating, overpowers him, and uses his hostage as leverage to make a phone call, which sets off the cell phone-bomb inside one of his henchmen. The explosion knocks out the remaining force. The Joker then lets Lau out of his cell and escapes with his prey.
Hence the Joker not only forced Batman to choose between these two captives, but to then lose the one he chose. Regardless, Batman still rescues Dent, who all the while screams in outrage that Rachel should be saved, not he. Gordon arrives outside, but it is too late. This is a crushing blow to everyone, and Batman has truly failed. She voices her doubt that Bruce will ever give up being Batman, and even if he does, makes it clear she will only ever be his friend.
The letter is heartfelt and poignant to hear having just seen her death. Back at the penthouse, Bruce mopes in silence, guilt-ridden with all that has happened. Has creating Batman ultimately killed his beloved? Alfred tries to cheer him up and stresses that Gotham still needs him right now. Bruce, believing that Rachel would really have chosen him once he retired from being Batman, decides that Dent must never know this shattering truth, ironically making the same decision that Alfred is making for him.
Meanwhile, Dent awakens in his hospital room and finds the coin beside him. Despite Batman meaning well in returning it to him, seeing its scared side ends up being a painful reminder of her fate. Soon Gordon comes to visit him and learns Dent has refused skin grafts and is choosing to remain in his deformed state [In reality, immediate surgery would be needed for Dent to still be alive and under no circumstances would he be able to speak as clearly as he does or make certain facial expressions, but hey, this is a comic book movie].
Gordon is unsure whether or not Wuertz is a traitor and has no idea who it was who picked up Rachel [Okay, seriously? No one on the force noticed how Rachel left the station? Upon leaving the room, Gordon encounters the handicapped Maroni who, knowing things have gone too far, offers to turn in the Joker. Now that he has Lau, the Joker finds where the money has been hidden over at the docks.
He takes his half and prepares to meet with the Chechen. True, his original deal was to kill Batman, but given that he knows where the money is, he has the power to negotiate a new deal. However, the Joker berates the Chechen for caring only about money, and thus burns his half of the money, in the process murdering Lau, and takes the Chechen captive.
Meanwhile, Coleman Reese has agreed to appear on Gotham Tonight to publically reveal the identity of Batman in a much hyped interview [If Reese had been smart, he would simply have tipped the media off anonymously in exchange for a large sum and gotten out of Gotham. True, the Joker might have caught him anyway, but it certainly would have been better than appearing on a major television show with a lot of hype].
Pandemonium ensues as citizens on all sides try to kill Reese, proving that people are indeed uncivilized once the chips are down. Gordon escorts Reese into a cruiser, but not before being fired at.
Heath Ledger had improvised the hospital explosion scene in The Dark Knight?
In order to get into the mind of the Joker, Heath Ledger spent around six weeks in an isolated hotel room. During this time, he wrote in a journal, looked at source material, and practiced different voices.
Ledger wanted to make sure that the Joker's voice and laugh was perfect before he began filming. The resulting Joker was a sociopathic clown without any empathy or remorse.
A photo of Ledger in his make-up for the film was also added to the book. It also included some writing from the perspective of the Joker, including a list of things he thought were funny including AIDS and geniuses suffering from brain damage.
Ledger kept the Joker journal with him throughout the filming process, using it as a touchstone to help him to get into character and focus on his inspirations.
In fact, Nolan and Ledger had been in talks about Ledger playing Batman for Batman Begins, but Ledger told Nolan that he wasn't interested in "this kind of movie". Ledger took himself out of the running to play Batman because he did not think that a comic book movie was worthwhile. At the time, the script was still being written, but Ledger enthusiastically was interested in the role and wanted to make it his own. Even though Ledger wanted to have a new and fresh portrayal of the Joker, he met with Jack Nicholson to discuss the iconic part.
Nicholson would later get in hot water when he told the press that he had "warned" Ledger about playing the Joker. He did, however, recommended some various inspirations that he thought would help Ledger's Joker be in line with Nolan's greater vision for the character. A Clockwork Orange includes characters who derive joy and laughter from the pain of others, much like the Joker. The connection between the Joker and Bacon's paintings may seem a little less clear, as Bacon's paintings are less well-known.
The eerie paintings use a great deal of black and darkness against popping color; many of them include distorted faces or figures. One of Bacon's triptych paintings helped to influence Ledger's make-up as the Joker. Nolan said that the painting and the make-up had "this corruption, this decay in the texture". Caglione originally created different styles for the Joker that were much cleaner in appearance.