The Shawshank Redemption (soundtrack) - Wikipedia
The Shawshank Redemption () is based on the Stephen King short kept him company in the hole, stating, “That's the beauty of music. Though they are captured at the end, they have learned to love each other with a love Figure 2 Andy Dufresne and “Red” (The Shawshank Redemption [Frank Darabont, Most important, in the novella, he describes his former marriage to the .. of hippies and Beatles music during the “summer of love” (Darabont ). The Shawshank Redemption () SoundTracks on IMDb: Memorable quotes Soundtrack Samples So Was Red. Tom Newton. End Title. Thomas Newman from opera "Le nozze di Figaro (The Marriage of Figaro)".
And if you've come this far, maybe you're willing to come a little further. You remember the name of the town, don't you? I could use a good man to help me get my project on wheels. I'll keep an eye out for you and the chessboard ready.
Hope is a good thing, maybe the best of things, and no good thing ever dies. I will be hoping that this letter finds you, and finds you well. Do you know what the Mexicans say about the Pacific?
They say it has no memory. That's where I want to live the rest of my life; A warm place with no memory. Ellis Boyd 'Red' Redding[ edit ] The first night's the toughest, no doubt about it. They march you in naked as the day you were born, skin burning and half blind from that delousing shit they throw on you, and when they put you in that cell, when those bars slam home, that's when you know it's for real. A whole life blown away in the blink of an eye. Nothing left but all the time in the world to think about it.
Most new fish come close to madness the first night. Somebody always breaks down crying. The only question is, who's it gonna be? It's as good a thing to bet on as any, I guess. I had my money on Andy Dufresne. I remember my first night. Seems like a long time ago.
I have no idea to this day what those two Italian ladies were singing about. Truth is, I don't wanna know. Some things are best left unsaid. I'd like to think they were singing about something so beautiful it can't be expressed in words, and it makes your heart ache because of it.
I tell you those voices soared, higher and farther than anybody in a grey place dares to dream. It was like some beautiful bird flapped into our drab little cage and made these walls dissolve away, and for the briefest of moments, every last man in Shawshank felt free.
InAndy Dufresne escaped from Shawshank prison. All they found of him was a muddy set of prison clothes, a bar of soap, and an old rock hammer, damn near worn down to the nub. I remember thinking it would take a man six hundred years to tunnel through the wall with it.
Old Andy did it in less than twenty. Oh, Andy loved geology. I imagine it appealed to his meticulous nature.
How does “The Shawshank Redemption” illustrate the power of hope
An ice age here, million years of mountain building there. Geology is the study of pressure and time. That's all it takes, really. That and a big goddamn poster. Like I said, in prison, a man will do almost anything to keep his mind occupied.
Turns out Andy's favorite hobby was totin' his wall out into the exercise yard, a handful at a time. I guess after Tommy was killed, Andy decided he'd been here just about long enough. Andy did like he was told; buffed those shoes to a high mirror shine. The guards simply didn't notice. I mean, seriously, how often do you really look at a man's shoes?
Andy crawled to freedom through five hundred yards of shit-smelling foulness I can't even imagine- or maybe I just don't want to.
How does "The Shawshank Redemption” illustrate the power of hope | ScreenPrism
Andy Dufresne, who crawled through a river of shit and came out clean on the other side. Andy Dufresne, headed for the Pacific. Those of us who knew him best talk about him often. I swear, the stuff he pulled Sometimes it makes me sad, though, Andy being gone. I have to remind myself that some birds aren't meant to be caged. Their feathers are just too bright and when they fly away, the part of you that knows it was a sin to lock them up does rejoice, but still, the place you live in is that much more drab and empty now that they're gone.
I guess I just miss my friend. These prison walls are funny. First you hate 'em, then you get used to 'em. Enough time passes, gets so you depend on them.
They send you here for life, that's exactly what they take. The part that counts, anyways. I find I'm so excited I can barely sit still or hold a thought in my head. I think it is the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain.
I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams.
I like to think the last thing that went through his head other than that bullet, was how the hell that Andy Dufrense got the best of him. Warden Samuel Norton[ edit ] Put your trust in the Lord, your ass belongs to me. Nothing, or you will do the hardest time there is. No more protection from the guards, I'll pull you out of that one-bunk Hilton and cast you down with the Sodomites.
You'll think you've been fucked by a train! Gone, Sealed off, brick-by-brick. We'll have us a little book barbecue in the yard. They'll see the flames for miles. We'll dance around it like wild Injuns. Or am I being obtuse? Brooks Hatlen[ edit ] [in a letter to Red after being released on parole] Dear fellas, I can't believe how fast things move on the outside. I saw an automobile once when I was a kid, but now they're everywhere. The world went and got itself in a big damn hurry.
The parole board got me into this halfway house called "The Brewer" and a job bagging groceries at the Foodway. It's hard work and I try to keep up, but my hands hurt most of the time. I don't think the store manager likes me very much.
Sometimes after work, I go to the park and feed the birds. I keep thinking Jake might just show up and say hello, but he never does. I hope wherever he is, he's doin' okay and makin' new friends. I have trouble sleepin' at night. I have bad dreams like I'm falling. I wake up scared. Sometimes it takes me a while to remember where I am.
Maybe I should get me a gun and rob the Foodway so they'd send me home. I could shoot the manager while I was at it, sort of like a bonus. I guess I'm too old for that sort of nonsense any more. I don't like it here. I'm tired of being afraid all the time. I've decided not to stay. I doubt they'll kick up any fuss. Not for an old crook like me.
Tell Heywood I'm sorry I put a knife to his throat. Captain Byron Hadley[ edit ] You eat when we say you eat. You shit when we say you shit and you piss when we say you piss.
You got that, you maggot dick motherfucker? Dialogue[ edit ] [A group of new prisoners is being processed into Shawshank State Prison. Hadley, captain of the guards. You are convicted felons. That's why they sent you to me. Rule Number One- no blasphemy. I'll not have the Lord's name taken in vain in my prison. The other rules you'll figure as you go along. When do we eat? You eat when we say you eat, you shit when we say you shit, and you piss when we say you piss!
You got that, you maggot-dick motherfucker? I believe in two things. Discipline, and the Bible. Here you'll receive both. Put your trust in the Lord. Your ass belongs to me. Talk to me boy! I know you're there. I can hear you breathin'. Don't you listen to these nitwits, you hear me? This place ain't so bad. Tell you what, I'll introduce you around, make you feel right at home. I know a couple of big old bull queers that'd just love to make your acquaintance.
Especially that big, white, mushy butt of yours. I don't belong here!
This casts a shadow over the prison and creates a gloomy and rather lifeless atmosphere to it, establishing a depressing environment and ambience. This key point contributes to the films underlying theme of hope, and creates an optimistic ambience and unrestrained environment. Action Emphasis and Pacing: Throughout the Shawshank Redemption, numerous key actions throughout the film are emphasized, thanks in large part to the soundtrack. As well, various sound elements also have a grandeur effect on the films pacing, both slowing it down or speeding it up at times.
One of the most noticeable instances of pacing occurs during the voiceover narrations, where the choice to use mild mannered background music, slows down the pace, making for a better setting for the narration of his story.
This is evident in Brooks narration of his letter to Andy, as we hear a slow piano melody, which allows for better environment for the storytelling. The music in the background is uplifting and full of hope, something that emphasizes the actually action of Red finally succeeding in allowing his hope to guide him to freedom. Furthermore, the pace of the music is intertwined with the concluding action of the story, as it takes us towards the resolution of the play. As well, the ambiguous diegetic and non-diegetic sound throughout the story play a significant role in establishing mood to the audience.
For instance, the opening scene is an example of both diegetic and non-diegetic sound setting the tone. Both non-diegetic and diegetic sounds can create an ambience and feeling of tension, although cheerfully sounding, the lyrics of the song tell more then the melody. Many scenes involved this ironic contrasts between the tone and the surroundings. On several occasions the background music is cheerful and upbeat while the physical settings and scenery are dark, dreary and depressing, particularly within the prison settings.
The Shawshank redemption, being a narrative film, has a narrative film soundtrack. This means the sounds create a particular structure allowing the viewer to identify with characters, objects, and themes that are in the center and in the peripheral of the narrative.
Throughout the movie, the sound runs parallel to the storyline of the movie, accentuating certain points of interest when necessary. During these points of interest, the sound is more often than not, defining the picture, to relay the themes of hope and despair upon the audience. Composer, Thomas Newman manages to strategically balance the grim tones of prison life within the walls of Shawshank with the inspirational influences of hope.
This mixture of sounds affecting mood, builds upon the plays dramatic elements of tension and empowerment, enhancing the audiences understanding of the story. Overall, the movie uses sounds that both leads and synergizes with the images. The major synergistic, leading, and paradoxical elements at play within the Shawshank Redemption are that of voiceovers and the soundtrack music itself.
Perhaps the most effective voiceover occurs during the narration of Brooks letter to Andy. The background music during the narration is made up of a piano beat, adding a sympathetic and sorrowful tone to the narration, further supporting the theme of lost hope through its synergy.
The same background music is apparent, with the thematic piano beat, emphasizing the theme of hope or loss of it. This voiceover narration has the same synergetic component as the other one, only it also introduce the element of a paradox, because the mood of sorrow is introduce, only to later be contradicted by a cheerful and positive mood and outcome. Lastly, the voiceover of Andy when Red is reading the letter he left for him, instructing him to come to Mexico is another example.
The music throughout the film plays an important role in contributing to the movies overall themes and moods. Composer, Thomas Neman uses a lot of orchestrated pieces of music in this film, particularly piano and string instrumentation. This theme is a repetitive four-note motif performed by bass string and cello that seems to rise and fall, establishing a sense of wavering hope in relation to the image of the prison. This theme synergizes with the images, both working to complement the mood of one another.
The second instance of music contributing to the film, and creating a sense of synergy, is the music that plays in the background when Andy escapes from prison. The music has a monumental build to it, with the eventual climax coming when he rips his shirt off in the rain. Thus, this music works to fuel the theme of hope, and what can be achieved if one never gives up on it.
The movie is structured in the three part format typical of the classical structure, which organizes the story into the setup, the development, and the resolution. Within the classical narrative structure, the setup of the film is where the main characters of the story are introduced, as well as their goals, and the obstacles their likely to face in the pursuit of their objectives. The beginning of The Shawshank Redemption introduces us to the main protagonist of the story, Andy Dufresne, as we quickly learn that he has just been accused and convicted of the death of his wife, and her lover.