Meet the Robinsons Soundtrack (by Danny Elfman & VA)
Little Wonders (From The Movie 'Meet The Robinsons') MP3 Song by The Hit Crew from the album A Tribute To Matchbox 20 And Rob Thomas. Download Little. We really just bought this album for 1 song that we were unable to find elsewhere , and my boy (age 9) really digs soundtracks. Personally, I just like the Rob. Album · · 18 Songs. Available Meet the Robinsons (Soundtrack from the Motion Picture) Various Artists. Soundtrack Meeting the Robinsons (Score).
Wilbur asks Lewis to fix the time machine, but Lewis has another condition: Wilbur has to take him to visit his mother afterwards. Reluctantly, Wilbur agrees and hides Lewis in the garage. Lewis does not stay there for long, however, and ends up meeting the rest of the Robinson family except for Cornelius, Wilbur's father, who is away on a business trip. The Robinsons offer to adopt Lewis, but change their mind when they learn that he is from the past.
Wilbur admits to lying to Lewis about taking him back to see his mom, causing Lewis to run off in disgust. Lewis then discovers that Cornelius Robinson is, in fact, a future version of himself, and Wilbur is his future son. Because he was kept awake by Lewis' work on the scanner, Goob fell asleep during an important Little League game and failed to make an important catch that cost the game.
Goob became so bitter as a result that he was never adopted and remained in the orphanage long after it closed.
Doris is "DOR", one of Lewis' failed and abandoned inventions. They both blamed Lewis for their misfortunes and decided to ruin his career by stealing the memory scanner and claiming credit for it. Leaving Lewis behind, they take off with the scanner, drastically altering the future to a world where Doris' clones have enslaved humanity.Meet The Robinsons - Little Wonders (HD) By Rob Thomas
Lewis repairs the second time machine, confronts Doris and destroys her by promising to never invent her, restoring the future to its Utopian self. After persuasion from Lewis, Wilbur tries to ask the adult Goob to join the family, but he has disappeared, apparently ashamed at what he has done. But take another listen.
The music, plastered over almost every join, is a match for all that happens on the screen. Perfectly moving with the scenario. Ghost World Various, It begins with a rumbling, jangling s Bollywood dance number, Jaan Pehechaan Ho, but Terry Zwigoff's film mostly noses around the world of blues, jazz and calypso from the s and s. But this, performed by Shirley Bassey, is surely The One. Midnight Cowboy John Barry, Long after people have forgotten this Oscar-winning period piece starring Jon Voight and Dustin Hoffman, they'll still be humming the theme tune.
Chariots of Fire Vangelis, Quite what a s synthesiser score by a New-Agey Greek composer had to do with British athletes in the s is anyone's guess. But golly, it worked! The Magnificent Seven Elmer Bernstein, Whenever there's a Simpsons episode with a western theme, the music it uses is Elmer Bernstein's swooping, stirring orchestral score for The Magnificent Seven.
Meet the Robinsons (Soundtrack from the Motion Picture) by Various Artists on Apple Music
That's how definitive it is. John Williams, As with so many Williams scores, resistance to the E. Every time you hear it, you think of E. And you want to cry. Jaws John Williams, 'Duh dum.
Meet the Robinsons [An Original Walt Disney Records Soundtrack]
Blade Runner Vangelis, How could you possibly come up with a soundtrack to match a sci-fi masterpiece so stylish and melancholic and noir? Trainspotting Various, Unlike Irvine Welsh's sordid novel, the Danny Boyle film version made heroin look rather fun - aided by a stonkingly cool, mostly upbeat soundtrack including Iggy Pop, Leftfield and Underworld.
Assault on Precinct 13 John Carpenter, Carpenter's tense thrilling urban classic about a lonely cop station holding out against villains was rendered all the more scary by the moody, hugely influential, minimalistic synthesiser soundtrack. The Dambusters Eric Coates, Eric Coates had just composed a march in the style of Elgar's Pomp and Circumstance when the call came from the producers: So, too, was John Barry's sinuous, slyly menacing score.
Reservoir Dogs Various, On the so-bad-it's-good principle which would see him revive the career of John Travolta, Quentin chose some of the worst songs from the Seventies - notably Stuck in the Middle With You by Stealers Wheel - and made them hip.
Jean de Florette Jean-Claude Petit and Guiseppe Verdi, The easy, wheezy, maudlin lyricism of its soundtrack appears to contain a sort of Gallic shrug, a low-level grumpiness, in those self-pitying head-turned-down phrases. Badlands Carl Orff, Terrence Mallick's early masterpiece about two young lovers facing page on a mindless killing spree wouldn't be half so resonant without its lilting glockenspiel score. Assembly-line noises or freight-train chugs coalesce into Bolero-like heads of steam, her melodies soaring above it all.
It's Hong Kong, Shigeru Umebayashi and Michael Galasso's humid valse triste frames the tragically frozen couple perfectly. Underground Goran Bregovic, A lardy but lithe Serbian oom-pah band and their rapid-fire music struggle on through the mud and testosterone of this women-tossing, chicken-kicking film.
Fanny and Alexander Schumann, 'Piano Quartet in E major' - music that, like the film, hangs precariously between a child-like reverie and materialised terror. Psycho Bernard Herrmann, Minimal instrumentation Hermann deployed only the string sectionmaximum impact: Psycho's violin stabs were crucial to the notorious shower scene's power. Amadeus Mozart, Probably the finest film ever made about classical music.
As one of the characters says: The pair were busy touring and managed only one, but quite a one: The rest of the soundtrack was padded out with previous releases. Dogville Various, Lars von Trier strips everything back for this bookish, moralising film. Handel, Albinoni and Pergolesi pop up, as does Vivaldi's Nisi Dominus, which effortlessly cranks up the tension.
Meet The Robinsons Original Soundtrack
The flinty, swaggering songs marked the beginning of the end of their smiley moptop phase. The Good the Bad and the Ugly Ennio Morricone, Twangy, surf guitars, strangled-death-cry yodelling, gun shots and Alessandro Alessandroni's virtuoso whistling: Morricone's score is surely the most bizarre, haunting and memorable in movie history October Shostakovich, To celebrate the 50th anniversary of the Russian Revolution, Dmitri Shostakovich dashed off a brilliant score for Eisenstein's Soviet polemic.
Koyaanisqatsi Philip Glass, Good film music needs good bass notes. Minimalism has some of the best. Without Glass's creeping bass, Koyaanisqatsi would not be much of a film. The greatest, funniest and most enduring of all Disney soundtracks. Blue Velvet Angleo Badalamenti, Badalamenti's work on Blue Velvet - a world packed with little but dense undergrowth - sinks deep into your consciousness like sand onto a sea floor.