Abbott and Costello Meet Frankenstein Movie Review
With Bud Abbott, Lou Costello, Marie Windsor, Michael Ansara. Meet the Mummy Bud Abbott, Lou Costello, Peggy King, Eddie Parker, and Marie Windsor in Bud Abbott, .. In the final credits, the boys are listed with fake character names. Posts about Abbott and Costello Meet Frankenstein written by nitrategeek. and Costello's way of battling boredom and having fun with the cast and crew). Abbott and Costello Meet the Mummy () cast and crew credits, including actors, actresses, directors, writers and more.
Abbott and Costello Meet the Mummy () - Full Cast & Crew - IMDb
It didn't help that the Queen showed her subjects holograms of the previous King, an attractive hunk; the ladies immediately lost interest in the dumpy Lou. Although it was set in then- modern times, Abbott and Costello Meet The Mummy calls pretty heavily on this trope.
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Abbott and Costello, made by Hanna-Barbera in Abbott voiced himself; Stan Irwin stood in for the late Costello. Abbott's first character in Little Giant. Lou dons one at the end of Buck Privates.
The "Slowly I turned Breaking the Fourth Wall: This exchange in It Ain't Hay: Go answer the door. It might be Warner. It won't do no good.
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We're all signed up with Universal. Jack and the Beanstalk has Lou's character dreaming that he's Jack, with the other characters corresponding to people he knows in real life. Costello most of the time. The fate of Sgt. Collins in Buck Privates Come Home. Cannot Spit It Out: Whenever Costello sees something that makes him flustered, he becomes hilariously tongue-tied and unable to explain it to Abbott.
Can't Get in Trouble for Nuthin': Played with in most of the horror spoofs - the monster or ghost and in one case, Indian chief terrorizes Lou, but only when Bud isn't around to see it. Naturally, Bud never believes Lou.
At the end of one film, Lou goes off like this: Needless to say, the shenanigans commence when the archaeologist who unearthed Klaris winds up dead. Of course, Pete and Freddie wind up as the prime suspects.
Enter the "sultry" per the trailer Marie Windsor as a raven-haired femme fatale, a pre "Dick Van Dyke Show" Richard Deacon as the mysterious cultist Professor Semu, not to mention the unstoppable Klaris himself, and comedic opportunities abound. How can anyone be objective about these films? Transforming these symbols of terror into slapstick props demystified them, robbing them of their power over our nightmares. Interestingly, the monsters, Bud and Lou got a much-needed second wind to their respective careers when their old films began running and re-running on a then newfangled contraption called… television.
When faced with solving a murder, "Hercule" Costello shares the following axiom with Abbott: Bela of course would have nothing to do with any of this.
He would just glare at those involved with his famous deadly stare and the only emotion he would show physically was one of utter disgust. An infamous story from filming also involved Strange who, during the scene in the laboratory where the Monster comes after Chick and Wilbur after throwing Sandra through the window, stepped on a camera cable, causing the camera to fall and break some bones in his foot.
So in fact Chaney wound up playing two different monsters in this movie.
Abbott and Costello Meet the Mummy | Revolvy
Another humorous story from the set involved actress Lenore Aubert, who wrapped in a mink, put a leash on Strange and, accompanied by Abbott, Costello, and Chaney in full make-up, took the Monster out for a stroll on the lot just in time for the studio tour tram. The rubber head appliance worn by Glenn Strange to play the Frankenstein monster fitted him so tightly that, after a few hours under the hot lights, he could shake his head and hear the sweat rattling around inside it.
During the final chase scene, when Wilbur and Chick are standing in front of a door and the Frankenstein monster punches through it, Costello deliberately went off his mark and got hit on the jaw.
Director Barton liked his reaction, so he decided to keep it in the film. As a favor to Universal, even though he refused to actually see the film, he did help promote the film and can be seen in several publicity photos, including one where he is buying a ticket. Modern sources report that Lugosi wrote his autobiography on the set of the film.