Don’t You Forget About How Deep “The Breakfast Club” Really Is
For the most part, we are left to speculate, but we are given enough information that I'll play. The Breakfast Club is an exploration of identity, among other things. As for Claire and Bender, that's an interesting take. Most people assume they'll end up in an abusive relationship or otherwise it will end poorly. Released in , The Breakfast Club turns 30 on February 15 and, amazingly, 5) And of course there's the ending that hearkens back to the.
The first print was minutes in length. The shot of five actors gazing at the camera influenced the way teen films were marketed from that point on. A brain, a beauty, a jock, a rebel and a recluse".
Themes[ edit ] The main theme of the film is the constant struggle of the American teenager to be understood, by adults and by themselves. It explores the pressure put on teenagers to fit into their own realms of high school social constructs, as well as the lofty expectations of their parents, teachers, and other authority figures.
On the surface, the students have little in common with each other. However, as the day rolls on, they eventually bond over a common disdain for the aforementioned issues of peer pressure and parental expectations. Once the obvious stereotypes are broken down, the characters "empathize with each other's struggles, dismiss some of the inaccuracies of their first impressions, and discover that they are more similar than different".
Vernon, is not portrayed in a positive light.
The Breakfast Club () - Plot Summary - IMDb
He consistently talks down to the students and flaunts his authority throughout the film. Bender is the only one who stands up to Vernon. Universal Pictures released the film in cinemas on February 15, in the United States.
This release was digitally remastered and restored from the original 35mm film negatives for better picture quality on DVD, Digital HD and Blu-ray. For them, for us, it feels even more personal, like a badge of our generational identity. For the cluster of kids born in the shadow of the Baby Boomers, and later demographically overshadowed again by the millennials, no teen-movie anthem ever expressed our feelings of cultural neglect more effectively than that Simple Minds track that blasts from the speakers the minute The Breakfast Club begins.
Even a movie that aims to speak for everyone of a certain age will inevitably make someone feel left out. He comes across as distant, but not necessarily a bad guy. Are all of these parents, or the absence of them, stereotypes? In his film-ending letter to Mr. These are the two adults The Breakfast Club actually does let the audience get to know, and both of them serve as a testament to the way high-school experiences mold the soul.
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One of the images in the Shermer High School montage that opens the film reveals that Carl is not only a Shermer alumnus, he was voted man of the year in —appropriate, as the year marking the end of the defining decade of the Boomer experience. Carl, in his mind, is still a big man on campus. Working as a janitor at his old high school may seem, to some, like the lowest of possible lows.
But the work lets Carl stay in his comfort zone, spending every day in the place that made him feel most powerful, even if his power has been reduced to picking up trash.
On my most recent Breakfast Club viewing, I wondered, for the first time: Was he the one who reported Brian to Vernon? Carl is the one adult in the movie who seems really comfortable with who he is, and who really gets the kids.
The Breakfast Club - Wikipedia
As they leave Shermer at the end of the day, detention served, they seem to realize that. Vernon is a more difficult figure.
He threatens to crack student skulls while false bravado shoots out of his Barry Manilow lapels.
The movie does show that Dick—excuse me, Rich—is an extraordinarily insecure guy. He looks deeply stricken. His feelings are hurt because deep down, he wants those kids to like him. The grown-ups cope almost the same way the kids cope: That when I get older, these kids are going to take care of me.
By virtue of their work, neither he nor Carl ever got out of high school. I relished in every anti-parental, screw-the-man sentiment embedded in its contained, confessional story, in part because I had to fight my parents to even see it. I was in seventh grade when The Breakfast Club came out. That year, for me, was fraught with far more angst and concern about fitting in than any moment I later experienced in high school. By the time my peers and I reached ninth grade, everybody seemed to calm down and settle more comfortably into their social circles, which were far more porous than The Breakfast Club and other teen movies suggest.
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In intermediate or middle school, though, such enlightenment did not yet exist.